Once upon a time, deep in the majestic Black Hills of South
Dakota, where the air is never balmy and the elevation makes you feel closer to
the creator, some douche bag decided to carve four presidents’ faces into the
side of a mountain.
Why?
I don’t know. I guess this was the time in history (defunct…sure!) when White men were feeling extra self-congratulatory and wanted to wipe the face of the Red man in their self-congratulating Asses. This is my only guess.
I don’t know. I guess this was the time in history (defunct…sure!) when White men were feeling extra self-congratulatory and wanted to wipe the face of the Red man in their self-congratulating Asses. This is my only guess.
Somewhere, between the Kansas Nebraska Act I took a turn
into another time zone and what seems like another life.
I will affirm this- the Pacific Northwest is beautiful.
South Dakota air is crisp, clean and clear, even the mist that stirs gently
around the zenith of the hills in the backdrop of highway setting looks pure,
like driven snow. The truck stops are cleaner too, or the truckers have just
taken to shitting and doing meth in their cabs.
There are 10 people per square mile in South Dakota.
There are 26,000 people per square mile in New York City.
I90 west is a straight shot through this state. I drove the
expanse to my destination- Mount Rushmore. The site of four guys’ faces.
A Brief History- Gutzon Borglum was the son of Danish
immigrants who had way too much time (and too many wives-his father was a
Mormon) on their hands in the Idaho territory. Gutzon grew up and became adept
at sculpting. His artistic passion led to an obsession with scale, and one day,
probably while he was smoking peyote he stole from an Indian, looked at the
choppy, uncarved stones of the Black Hills and thought to himself, “You know
what’s missing from this rock? Like four guys’ faces.”
Since he was pretty famous at the time because of his other
work (I don’t know what his other work was, I am sure you don’t care) Doane
Robinson and the United States Government thought this was a great idea.
Doane Robinson was a South Dakota historian who thought a
great way to preserve the rich culture of the Lakota Sioux Indians who
populated the area (before manifest destiny) was to place atop this mountain the
face of the president responsible for manifest destiny along with three other
dudes who were president too. This
idea, he thought, would make South Dakota more historical.
Self. Congratulations.
The mountain itself sits high atop a peak in Keystone South
Dakota, apparently the only city with electricity (this was the perception
coming off the highway) in an 80-mile vicinity.
Like most modest and dignified American historical
attractions, a small, garish tourist town popped up at the bottom of the
mountain. There are reptile farms, bear shows, a mystery cave that dares you to
come inside and not be petrified out of your own natural mind, a museum
dedicated to the history of the life of the sculptor and his White polygamist friends…It’s
all very exciting.
The drive up the mountain requires an extra tank of gas-it
is so steep that you really can’t travel more that 40 miles an hour, which is
just as well.
When I came to the mouth of the Mount Rushmore, I was
greeted with many state flags, some Indian, none confederate. I was a
skeptical, thinking that the entire hullabaloo for a rock carving was bullshit.
I was half right.
The faces are seen immediately as you drive up the steepness
of the terrain, like rocky sirens, tempting visual reward for your journey. The
site itself is quite peaceful-almost the complete opposite of the dated shit
show mountain town that goes on at the bottom of the hill. I stood at the mouth
of the mountain and looked around-there were families from different parts of
the country, busses full of tourists, a small squadron of missionaries who
barreled out of a church van wide eyed and sweet faced, a Muslim family who
didn’t speak English who kept looking over their shoulders, a gang of bikers
clad in dusty leather who kept staring down the Muslim Family, and 2 other
Black people.
Truly a cross section of Middle America.
When you walk close to the sculpture, the first face you see
is that of George Washington, which I suppose is intentional, he is the father
of the country. Next to him is his slave screwing homeboy, Thomas Jefferson,
deep in the cut is good old Indian killing Teddy R, and lonely, lanky
abolitionist Abraham Lincoln is set off to the side a bit, like the fat girl at
the Junior Prom. George Washington, being the front man of this band is the
only one with shoulders and clothes on.
I took heaps of pictures, and naturally I wasn’t the only
one. There are so many perspectives from the bottom of the rock, after a while
I couldn’t help but to admire the artistry-the look on their faces were not
stoic like I imagined they would be. The eyes seemed alive, pensive, but
animated. Teddy, the only one with facial hair, seemed just a little bit sad,
lonely even.
I walked up the presidential trial which takes you up
towards the faces-not too close, but closer than the beginning where all the
flags are. Then I was drawn in. Maybe it was the outlay of the jutted rocks
that encapsulated the exhibit, or the greenery that garnished the faces, but I
wanted more. The closer I got, the better the lens I used on my camera, and I
couldn’t get intimate enough. I found a park ranger and asked them if they were
going to lead any hikes up to the top of the mountain.
“Hey, no,” he said. “We don’t do that anymore, ok.”
I couldn’t place his accent, so in my mind he sounded like a
Canadian.
When I asked him why he told me a story of Greenpeace.
Apparently soon after President Obama was elected Greenpeace scaled Mount
Rushmore and unfurled a banner protesting against political leaders who were
denying climate change. On this banner, there was a picture of Barack Obama.
Ever since then, climbing up to the top of the faces was prohibited by law.
I was upset-I felt that standing on the Presidents Trial
looking up at these quiet faces was nothing but a cocktease. I wanted to get
closer, I wanted to see more, I wanted to touch the rocks and feel the wind at
the top. I wanted to pick George Washington’s nose. I wanted to brush Teddy
Roosevelt’s mustache. I wanted to put my finger through Abe Lincoln’s
assassination head hole. I wanted to see if Thomas Jefferson had Sally
Hemmings’ number in his pocket. Alas, all I got was some pretty cool pics from
down below. On the Presidents Trial, there are markers that give the sightseers
facts about the carving of the faces and the presidents themselves. I walked
around and read some of the facts- no one died carving the faces, it took 17
years to complete, the presidents were chosen by Doane Robinson. On some other markers
there were facts about the men on the rock.
When I got to Thomas Jefferson’s marker, I was standing
there with a family reading in amazement about Jefferson’s accomplishments- the
Louisiana Purchase and such- and they lamented when reading about his family
about his children, some who did not outlive their parents.
“He only had 3 children grow to adulthood, what a shame,”
the young portly wife said.
“That’s actually not true,” I chimed in. “He had about 5
more kids who aren’t on this marker with a slave named Sally Hemmings. My great
grandmother, Beverly Hemmings, was his biological daughter. Naturally since she
was illegitimate and Black they wont put her name on the marker.”
The couple looked at me with both awe and horror on their faces.
The couple looked at me with both awe and horror on their faces.
“Yeah, so I’m here kinda like a family reunion, visiting
great gramps. Have a great day!”
When I got to my car at the end of the trial I saw the
family again, and I waved to them vigorously with a huge smile on face. They
hurried to their wagon and shoed their children inside before locking the doors
and peeling away from the parking lot.
When my laughter had subsided, I wondered why the Rushmore
people were so upset about Greenpeace putting up the banner. Was it because
they staged a protest on the property, or because they used the face of a Black
man on the mountain to do it?
After driving back down the mountain and eating at a
restaurant that will serve you fries in the shape of the presidents’ faces, I
walked back to my car and decided to go see the other face on the hills- Crazy
Horse.
Crazy Horse was a great Lakota Warrior, born sometime in the
winter season in Montana between 1840-1845. He was a shy and introverted
warrior, given to psychic visions, and loved children.
Crazy Horse’s most notable battle was the Battle of Little
Big Horn, under the command of Sitting Bull, where it is reported that he
personally killed at least 10 soldiers of the 7th infantry of the US
Army that lost that battle under General Custer.
He was a proud Lakota; after the war was lost he would not
conform to reservation life and in 1877 was killed while resisting arrest.
Maybe it was the fact that I had just left Ferguson. Maybe
it was the fact that I had just left Mount Rushmore. But I felt more akin to
this man that any other historical figurehead I had seen since I can remember.
The Crazy Horse monument sits atop the same grainy peaks of
the Black Hills Mountains of the Sioux land. Two men: Korczak Ziolkowski & Lakota Chief Henry
Standing Bear, one who possessed technical artistic acumen and one who
remembered the face of the warrior sculpted it. Since no pictures exist of
Crazy Horse, Korczak relied upon Chief Standing Bear to recall the stature of
the Crazy Horse.
The rock is unfinished. Since this exhibit is privately
funded and sculpted with almost no state or governmental aid it is taking a lot
longer to finish than its 4 man counterpart 16 miles up the road. Because of
that it is also impossible to venture all the way up to the rock. All that you
can see is his face- stern and stoic, but not serene like the presidents-
angry, brooding, staring deliberately to the west, overlooking the native
Lakota Sioux lands that he died protecting.
Twice a day the Lakota people come upon the property and
dance, right under the gaze of their fallen warrior father. The dance is a
dance that celebrates life; father sky and mother earth marry at the horizon
and you trace your finger all the way around this union until you come back to
the beginning-a circle. The women carry hoops that represent this circle, life,
a yin and yang of ground and sky. The men carry the drums. In Lakota culture,
women don’t play, they just sing. The men are responsible for making and
playing and carrying the drums, and they play them to honor the women. Twice a
day, the face of Crazy Horse transforms from the sullen severe etching that
captures the face of a tormented gladiator, to a discerning, almost satisfied,
father who looks on, watching over his children carry on the traditions he
died trying to preserve.
What the complete sculpture will look like is rendered in
the visitor’s museum of the Crazy Horse memorial ground. At the bottom of it is a quote-
“My lands are where my dead lay buried.”
I say to Crazy Horse, if that is true, then this land is
your land.
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